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Philip K. Dick: biography, bibliography, filmography, links |
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"Reality is that which when you stop believing in it... doesn't go away."
Philip K. Dick, VALIS
The "Truth" About Philip K. Dick
The truth is none of those things. The truth is all of those things.
The truth is some of those things.
Biographical Notes For Philip K. Dick
Philip Kendred Dick and Jane Kendred Dick were born in
Chicago on December 16th, 1928. Dick's fraternal twin, Jane, died 41 days later. At age 1 his family moved to Berkeley, California.
His parents divorced when Philip was five and his father moved to
Reno, Nevada. At age six, 1934 he and his mother moved to
Washington, DC. By age 7, he was placed into a "special school", in part because he refused to eat. It was during this time that a
psychiatrist diagnosed him as a potential schizophrenic, a diagnosis that would haunt him for the rest of his life. In 1939, he and his mother family moved back to Berkeley. It was here that he first encountered the Oz series of
L. Frank Baum, which he cited as highly influential. He briefly attended the
University of California at Berkeley, but dropped out before completing any classes. He worked variously as an advertising copywriter, a DJ on a classical music radio station (KSMO, Berkeley), and in a record store.
He sold his first story at age 22, in 1951. In June of 1953, he had 7 stories being published simultaneously in a variety of science fiction magazines, including
Analog,
Galaxy and F+SF. His first novel,
The Solar Lottery,
was published in 1954.
By 1968, the year that
Do Androids Dream of Electric Sheep
was published, he had written 28 books. It is said that it was in this period that he began using
methamphetamines
in order to write enough to support himself and his family. He also
began using
LSD,
which he wrote about, in veiled form in novels such as
A Scanner Darkly
and wrote about it openly in essays that are reprinted in
The Shifting Realities of Philip K. Dick. Methamphetamine use would plague Philip K. Dick for the remainder of his life, and probably was a leading factor in his death.
There is much anecdotal evidence to suggest that he did not sleep for a period of three years, and suffered from "cocaine psychosis" on at least one occasion. However, by the end of his life, he had published over 50 novels and short story collections, and was even able to see a rough cut of
Blade Runner,
the Ridley Scott
film based on
Do Androids Dream of Electric Sheep,
which was released shortly after his death.
However, Philip K. Dick's legacy has endured:
VALIS Opera:
This science fiction opera, composed by
Tod Machover
in 1987 for the 10th anniversary of the Pompidou Center in
Paris,
was the first time that
Hyperinstruments
were used. Based on a novel by Philip K.
Dick, the story follows the life of Dick's alter-ego, Horselover Fat,
who has a strange VALIS "pink light" experience, which might be a real spiritual
revelation, but looks an awful lot like a technological experiment gone awry or maybe
even a nervous breakdown. The entire "orchestra" for VALIS was made up of two instruments,
hyperkeyboard and hyperpercussion. A
CD recording of the work is available. Machover, a professor at the MIT media lab has a segment of the opera, with both video collage and music:
www.media.mit.edu/hyperins/quicktime/valis56k.mov
It requires Quicktime, and 56 KbPS or better net connection. In 1985, the Mabou Mines Theater performed a stage play based on Flow My Tears, the Policeman Said in Boston and New York. Radio Free Albemuth, adapted by Lisa Morton, was produced at Theatre of N.O.T.E. in Los Angeles in 1991. A Philip K. Dick Society has existed and flourished for more than 15 years.
His novels have been required reading for modern literature courses. In 1997, Virgin Interactive Entertainment released a video game for Blade Runner, using the voices of many of the original cast 15 years after the film's theatrical release, a testament to its enduring legacy. Philip K. Dick went through a series of unsuccessful marriages throughout his life. All in all, he was married five times and had three children (2 daughters, 1 son). The influence of these marriages can be seen in a great deal of his writing. In fact, it was under such circumstances, that The Man In the High Castle was written.
Those familiar with the plot of The Man In the High Castle will recognize Dick's real life circumstances, i.e., the jewelry making, as inspiration for one of the central themes of the novel. In 1963, Philip K. Dick received the Hugo Award for The Man In the High Castle. On March 22, 1974, the day after the vernal equinox, Philip K. Dick had a transcendental mystical experience, which he described as "an invasion of my mind by a transcendentally rational mind." This experience caused Philip K. Dick to begin recording his thoughts and experiences into a journal, which he referred to as the Exegesis. The Exegesis contained a phenomenal amount of Gnostic religious thought and philosophy. The majority of his experiences and philosophies formed during this period can be found in the VALIS trilogy", which includes VALIS, The Divine Invasion, and The Transmigration of Timothy Archer. An alternate accounting of the events of Philip K. Dick's VALIS encounter can be found in more accessible form in the novel Radio Free Albemuth, which was discovered among Dick's notes after his death. Philip K. Dick was an incredibly imaginative writer, with the ability to twist every day circumstances around to such a degree that even the most mundane of situations could become outrageous and alien. He often felt that it was his role, as an author to write stories that would "wake up" his readers to the ills and perils of society. Nearly every story he ever wrote probed the nature of truth and reality, repeatedly asking "What is actually real?" in one form or another. Philip K. Dick died of heart failure following a stroke on March 2nd, 1982 in Santa Ana, California.
(arranged chronologically, according to year of publication)
The World Jones Made [1956] Man Who Japed [1956] The Eye in the Sky [1956] Variable Man [1957] The Cosmic Puppets [1957] Time Out of Joint [1959] Dr. Futurity [1960] Vulcan's Hammer [1960] The Man In the High Castle [1962] The Game Players of Titan [1963] Martian Timeslip [1964] Penultimate Truth [1964] The Simulacra [1964] Clans of the Alphane Moon [1964] The Crack In Space [1966] Now Wait For Last Year [1966] The Unteleported Man (Later published as Lies, Inc. in the UK) [1966] The Zap Gun [1967] The Ganymede Takeover [1967] (with Ray Nelson) Counter-Clock World [1967] The Galactic Pot-Healer [1969] The Preserving Machine [1969] (short story anthology) Ubik [1969] Maze of Death [1970] Our Friends From Frolix 8 [1970] We Can Build You [1972] Confessions of a Crap-Artist [1975] Deus Irae [1976] (with Roger Zelazny) A Scanner Darkly [1977] VALIS [1981] The Divine Invasion [1981] Blade Runner [1982] ( The Man Whose Teeth Were All Exactly Alike [1984?] Radio Free Albemuth [1985] Ubik: The Screenplay [1985] In Milton Lumky Territory [1985] Humpty Dumpty In Oakland [1986] Mary and the Giant [1987] The Broken Bubble [1988?] Nick and the Glimmung [1988?] The Dark-Haired Girl [1988] (collection of fiction and non-fiction) Voices from the Street [unpublished] Gather Yourself Together [unpublished]
Collections and Posthumous Releases:
Biographies & Reference
Audio Editions:
Films:
Magazine Articles and Interviews:
Tangential Works:
Newsletters
Author: Patrick Deese
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